Posts Tagged ‘Hayden Hays Gallery’

"SLOW RISES" 16x20 oil **SOLD**

The month of May is upon us and with it Dix Baines celebrates fifteen years of pursuing his passion for painting as a full-time artist. Often people ask me how in the world I was able to support his pursuit of a profession as an artist, but if truth be told, I was the one who pushed Dix Baines to jump ship as a project manager for an Interior Design firm and move into the art world.

Dix Baines began his career as an artist at an early age, as he was constantly drawing and sketching on any available paper…including his school books.  In fourth grade his Dad sat him down for a “chat” to discuss the drawings that were found on every page of  the textbooks and to encourage him to focus more on math and a whole lot less on a art.  The conversation didn’t take though, as a few years later Dix’s grandmother gave him his first set of oil paints and he was hooked.  In an interview with Sam Curtis for “Big Sky Journal”(http://dixbaines.com/big-sky-journal/) in 2002,  Dix said ”…He remembers painting with those oils and loving the smell of turpentine and linseed oil. Anybody who loves that smell, look out. It can reach up and bite you”.

That love of art and painting in particular simply would not go away and it was a passion that I was well aware of when we married almost thirty years ago in 1982. I thought that the pursuit of art was something one did later in life as a hobby, not as a career.  In my mind it was a retiree’s past time and one that Dix would explore later in life….much later….after working a “real job” and raising our family. I was to soon learn, however, that being an artist was as viable career as being a doctor, lawyer, or teacher and every bit as important…

Read the “rest of the story” in text and pictures as we celebrate Dix Baines’ 15 years in the Studio fulltime by visiting the Dix Baines blog regularly throughout the month of May.- Kathlyn Gogarty-Baines

"Autumn Leaves and Rolling Rocks" 5x7 oil **SOLD**

"First Snow, Autumn Glow" 8x10 oil $1200-Available through McLarry Gallery @ 505.988.1161

"Rolling Rocks" 16x20 oil $3000 -Available through Hayden Hays Gallery @ 719.577.5744

"Blowing Leaves" 24x36 oil $6400-Available through Hayden Hays Gallery @ 719.577.5744

In October last year, Dix and I made a trek through Wyoming to visit our daughter at college.  Of course the camera accompanied us, as it does on every trip, just in case an image presented itself that Dix would have to paint.  Artists are forever on the hunt for images.  As we flew down I-80, Dix informed me that he knew that just outside of Laramie, there was an area he thought would be good to photograph. As we came around the bend, neither of us was prepared with just how extraordinary the view would be!  The clouds had parted and allowed for the sunlight to stream downward and light up the golden aspen leaves.  Everything was lightly dusted with snow!  It couldn’t have been a more perfect view, as the fact that Dix spent two hours photographing it attested!  Here are just a few of the views that Dix Baines painted from those amazing views. –Kathlyn Gogarty-Baines

“The Scripture of Nature” 18×22 oil SOLD
“Rim Light” 11×14 oil SOLD
“Shotgun Ranch” oil 8×10 SOLD
“New Bloom oil 5×7 SOLD
“Brown Light” oil 5×7 SOLD

The month of March has brought with it Dix Baines’ own “March Madness,” as he has traveled to three shows within the course of a few weeks.  From Colorado to Texas….Colorado to Montana….Colorado to Texas….it has been a busy month resulting in one travel weary artist.  It is always worth the travel, however, as so much of art is about meeting the artist who created it and for the artists, meeting the collector.  When a collector purchases a painting, in essence they are collecting the artist.  They are collecting the artist’s perspective on the subject, their narrative on the subject, and in truth a bit on the artist’s soul, that has been laid on the canvas for the world to judge.  -Kathlyn Gogarty-Baines

 

 

"Branding" 18x22 oil $3600

One of the earliest commissions of Dix Baines’ art career was to paint the land of a 50,000 acre working ranch here in Colorado for the owner.  Dix set out one weekend and headed for the ranch, which was located in northern Colorado, and spent a few days absorbing the atmosphere of the area and watching the cowboys do their work.  Dix always feels that in order to really depict an image, one must live and breath the image before putting it into paint.  That means not just photographing the image and taking it back to the studio, but painting the image on location while feeling the elements work on you, as they work on the subject whether land or people. To feel the wind blow on his face, smell the smoke as the cattle were branded, and feel the dirt as it gets kicked up by all the cowboys, make it easier for Dix Baines to put the entire experience onto the canvas, rather than just a copy of the image. The painting “Branding,” an 18×22 oil, will be one of 5 paintings by Dix Baines that will be included in the Briscoe Museum 2012 Night of the Artists.  To learn more about the show or to purchase tickets for the opening Gala, visit http://www.briscoemuseum.com/night-of-artists/ –Kathlyn Gogarty-Baines

"Canoncito" Morning 7x8 **SOLD**

"Canoncito" 6x8 **SOLD**

"Canoncito" 8x10 **SOLD**

"Canoncito" 11x14 $1900

"Dappled Light on Canoncito" 28x32 **SOLD**

Sometimes an image captures the eye of an artist and they are drawn to paint it over and over again in various formats and sizes.  As every completed painting brings the artist to a new place in their creative development, no two paintings can or are exactly the same. Just outside of Santa Fe, New Mexico is a beautiful church called Canoncito.  It is an image and a place that draws Dix Baines repeatedly and one that he has visited in paintings from large to small.  Having worked in Interior Design and Architecture for ten years, prior to embarking on a full time career as an artist, architectural images have an added pull.  Images of faith, such as Canoncito, which are monuments to individual’s faith, doubly so.  To date all, but one of Dix Baines’ paintings of Canoncito have sold.  The only one available is the 11×14 “Canoncito” and is currently available through The Hayden Hays Gallery (http://www.haydenhaysgallery.com). - Kathlyn Gogarty-Baine

"First Snow, Autumn Glow" oil 8x10 $1200

Rim Light oil 11x14 $1900

"Shotgun Ranch" oil 8x10 $1200

It is amazing how quickly the months rolls by and suddenly shows that have been on the calendar are here.  Production finishes up, paintings are framed, photographed and shipped off to their destination. This year Dix Baines’  will participate in the Panhandle-Plains Invitational Art Show for the third year.  This will be the first year, however, that he will have the opportunity to join in the festivities and attend the opening Gala. His paintings ”First Snow, Autumn Glow,” “Rim Light,” and ”Shotgun Ranch” will hand along side pantings by Albert Handell, Lorenzo Chavez, and Michael Ome Untiedt. To learn more about the show or to purchase any of these paintings visit http://panhandleplains.org or call 806.651.224.

 

"Broadmoor Blue, Colorado Gold" 8x10 $1200 available through The Hayden Hays Gallery @ 719.577.5744

"Cadmium Light" 8x10 $1200 available through The Hayden Hays Gallery @ 719.577.5744

"Broadmoor Lights" 6x8 SOLD through The Hayden Hays Gallery

"Colorado Broadmoor" 6x8 SOLD through The Hayden Hays Gallery

"Grand Entrance" 8x10 SOLD through The Hayden Hays Gallery

"Lakeview" 6x9 SOLD through The Hayden Hays Gallery

"Summer Lakeview" 8x10 SOLD through The Hayden Hays Gallery

"Summer Light" 6x8 SOLD through The Hayden Hays Gallery

"Broadmoor Lights" 6x8 SOLD through The Hayden Hays Gallery

"Magic Hour" 6x8 SOLD through The Hayden Hays Gallery

Prior to leaving his job as a Project Designer with a prominent Design Firm (who specialized in hospitality projects) to pursue a career as an artist, Dix Baines had the opportunity to work on the 5 star-5 diamond property The Broadmoor Hotel in Colorado Springs, Colorado. Now as an artist, things have come full circle as his original art is shown at The Hayden Hays Gallery, which is located on the property of  The Broadmoor. Having worked in a field for ten years where his focus was architecture, architecture will always be a draw for Dix as an artist.  Over the past year of showing his work at the The Hayden Hays Gallery (http://www.haydenhaysgallery.com/), Dix has enjoyed exploring the architecture of The Broadmoor through paint.  The Broadmoor is not so much about a place to stay, but more about the experience of being there and the rich history behind the property. This Colorado Springs gem history is related in the following press release from their website at http://www.broadmoor.com

THE GRAND PLAN FOR THE GRANDE DAME

The History of The BROADMOOR

For over a century, dreamers, farmers, investors, and even a Prussian Count have held a vision of the magnificence in store for the Colorado Springs area.  It took the foresight, dedication and incredible vision of one man, Spencer Penrose, to bring the dream to reality … and to make it wonderful enough to last 90 years.

Even before it was the Broadmoor Dairy Farm, the land at the base of Cheyenne Mountain was a ranch where corn was grown for making brooms.  Willie Wilcox, who came to the area seeking his fortune and hoping to find a cure for his tuberculosis, bought the land in 1880 and established a small dairy.  Unfortunately, Wilcox’s inexperience with animals soon became evident, and he realized that without significant investments the project would not be a success, so he began negotiations to sell the land.

Prussian Count James Pourtales had also come west to seek romance and fortune, and in 1885 he brought his knowledge of German scientific farming to Colorado Springs, and began a partnership with Wilcox to bring the dairy back to life.  Although the dairy was still doing well by 1888, Pourtales realized it would not turn a large enough profit or return on his investment to be of aid to his estates in Prussia.  He decided the only way to make a decent profit would be to create an upper-class suburb of Colorado Springs with numerous amenities to increase the value of the home sites.  So in 1890, Count Pourtales formed the Broadmoor Land and Investment Company and purchased the original 2,400-acre tract.

To entice people to buy lots, Pourtales built The Broadmoor Casino, which opened July 1, 1891.  A small hotel was constructed a few years later.  Continually beset by financial problems, Pourtales was unable to move forward with development of the site, and the property was forced into receivership.  In 1897, the casino and its small neighboring hotel were used for many local events, but was eventually converted into a boarding house and day school for girls.

On May 9, 1916, Spencer Penrose, a Philadelphia entrepreneur who had made his fortune in gold and copper mining, purchased The Broadmoor Casino and Hotel 40-acre site, and an adjoining 400 acres.  Penrose had come up with a new project to undertake … to turn the Pikes Peak region into the most interesting, multi-faceted resort area that could be conceived of in his imagination, and he had the money to do it.

Using the New York architectural and design firm Warren and Wetmore, Penrose began construction of the main complex on May 20, 1917.  With the objective of creating the most beautiful resort in the world, Spencer Penrose along with his wife, Julie, and his team of architects and designers, imported artisans from Italy and other European countries to create the ornate moldings and paintings which adorn the interior of The BROADMOOR as well as the elaborate exterior detailing.  Italian Renaissance in style, the original BROADMOOR resort was designed with four wings which were completed in June 1918.  An 18-hole golf course was concurrently designed by master golf-course architect, Donald Ross.

The resort officially opened on June 29, 1918, newly christened as The BROADMOOR.  Architectural and design features of the “new” resort included a spectacular curved marble staircase, dramatic chandeliers, Della Robbia-style tile, hand-painted beams and ceilings, a carved marble fountain, and a striking pink stucco façade.

The genius of Spencer Penrose was not limited to the construction and operation of a world-class resort.  He was brilliant in the promotion and marketing of the resort, and the surrounding areas.  Penrose correctly assessed the tourist value of Pikes Peak for the growth of The BROADMOOR. He built the Pikes Peak Road leading to the summit as an alternative to the Cog Railway and established the Cheyenne Mountain Zoo, which is still considered one of the finest privately owned zoos in the United States.  In 1925, Penrose purchased and modernized the Pikes Peak Cog Railway, which became one of his most enduring legacies.

Under Penrose, The BROADMOOR gained a reputation as one of the finest resorts of its time, attracting “captains of industry” and dignitaries from around the world.  The BROADMOOR was known as the “European alternative,” and many visitors came for the clean, mountain air, said to relieve symptoms of tuberculosis and other bronchial maladies.

When The BROADMOOR opened in 1918, Penrose charged each and every employee with providing a level of service and overall experience as yet unattainable in the United States, but expected throughout Europe.  He contracted Italian Executive Chef Louis Stratta and charged him with brining his inventive and international ideas to America’s west.  All BROADMOOR employees – from resort executives to bellhops – received comprehensive training to enable them to provide meticulous service as well as sustain a high level of employee loyalty.  In the resort’s 89-year history, The BROADMOOR has had only six Presidents and four Executive Chefs, a true distinction in the hospitality industry, and a testament to the “quality of life” at the resort.

The BROADMOOR’s surge in fame led to an expansion of the resort’s facilities, all created against The BROADMOOR’s “grand plan” of top-rated service and uncompromising excellence.  Addressing the popularity of golf as an American pastime, The BROADMOOR hired famed golf-course architect Robert Trent Jones to design a second golf course; Jones’ nine-hole course was expanded to 18 holes in 1965.  A third golf course, designed by Ed Seay and Arnold Palmer was added in 1976.

With the growth of meeting and convention business in the country, additional facilities were needed.  In 1961, The BROADMOOR constructed the International center, a dedicated meeting space, followed by a new building housing additional guest rooms, and The Penrose Room, a fine-dining restaurant.  In 1976, the West Complex was completed, adding another 154 guestrooms and a variety of meeting facilities.  Colorado Hall, a second conference facility was constructed in 1982 and the 12,000 square-foot Rocky Mountain Ballroom opened in 1994. In 1995, an additional 150 guestrooms with either lake or mountain views, were added.

Also in 1995, the hotel opened the new BROADMOOR Spa, Golf and Tennis Club, that featured a full-service, world-class “amenity spa” and state-of-the-art fitness center with exercise room, aerobics studio, indoor swimming pool and outdoor heated lap pool and Jacuzzi, a golf clubhouse, three restaurants and lounges and both golf and tennis pro shops.

The summer of 2001 saw the completion of an 11,000 square-foot infinity edge swimming pool that was added to the north end of Cheyenne Lake, along with Slide Mountain waterslides, a children’s pool, two 14-person whirlpools, 13 cabanas and a new pool café. In October 2001, the venerable BROADMOOR Main closed for the first time in the history of the resort to undergo a major renovation.  Each of the original 142 rooms, the lobby, lounges, restaurants, retail outlets and public spaces were redone. The renovation of guestrooms included high-speed Internet access, multiple phone lines and PC data ports, and enhancements like large five-fixture bath facilities with soaking tubs, separate showers and dual basins. The building was also rewired, central air and heating installed, as well as new plumbing, new sprinkler systems, and other high-tech safety features.

In May 2002, The BROADMOOR unveiled the final completion of a $75 million renovation project.  The project began with the addition of the Lakeside Suites building, with 21 spacious rooms, most with fireplaces and either patios or balconies.

What guests once knew as the Terrace Lounge is now the Hotel Bar, featuring three large wall murals depicting the escapades of Spencer Penrose’s Hundred Million Dollar Club, a group of top East Coast hoteliers he brought to The BROADMOOR shortly after its opening in order to promote the hotel. The bar incorporates rich wood paneling, booths, couches and tables. The popular outdoor fireplace uses the Nana Wall system and a wrought iron railing encompasses the fireplace seating area.

The entry to the hotel has been redone to include more garden space leading up to a remodeled porte-cochere, new doors and entryway. The floors are marbled, three new elevators have been added and paint and fabrics have been redone.

In October of 2005, The BROADMOOR added 60,000 square feet of additional meeting space with the completion of BROADMOOR Hall. Located next to the International Center and Colorado Hall, BROADMOOR Hall brings the total available conference and meeting space on the property up to 185,000 square feet. Summit, an Adam D. Tihany – designed restaurant located adjacent to the Hall, opened to rave reviews in December of 2005.  The Carriage Museum relocated from the south side of the property and expanded to 8,000 square feet. The museum features historic memorabilia and vintage automobiles and carriages from the Penrose private collection.  Seven new retail shops grace the area between BROADMOOR Main and South Tower, and single-family brownstones and condominiums opened, bordering the resort and creating a decidedly European village feel to the surrounding area. South Tower has been renovated to include all new guest rooms with luxurious five-fixture baths, fireplaces, balconies and Juliet’s, flat screen TV’s in living area and bathrooms and the latest in technological upgrades.  In July of 2006, the Mountain Course opened as 18-holes, designed by Nicklaus Design, bringing The BROADMOOR up to 54 holes of championship golf.

Since its opening, this grand resort has been the destination of presidents, statesmen, foreign dignataries and celebrities. United States Presidents Hoover, Roosevelt (Franklin D.), Eisenhower, Kennedy, Nixon, Ford, Reagan and George H.W.  and George W. Bush have all stayed at The BROADMOOR. Dignataries include King Hussein of Jordan, Princess Anne, Prime Minister Toshiki Kaifu of Japan, the King of Siam, Margaret Thatcher, Donald Rumsfeld and the NATO Ministerial Alliance.  The hotel has also attracted many entertainment and sports celebrities throughout its long history including John Wayne, Maurice Chevalier, Bing Crosby, Walt Disney, Charles Lindbergh, Clark Gable, Bob Hope, Jimmy Stewart, Jack Benny, Jackie Gleason, Sir Elton John, Ted Turner, Jane Fonda, Terry Bradshaw, Dorothy Hamill, Peggy Fleming, Michelle Kwan, Joe DiMaggio, Stan Musial, Sugar Ray Leonard, Stephen Tyler and Aerosmith, Michael Douglas, Bob Costas, Cher, Dana Carvey, Bobby Knight, Lance Armstrong,  Jackie Joyner-Kersee, and the Travel Channel’s Samantha Brown.

The BROADMOOR is the longest-running consecutive winner of both the AAA Five-Diamond and the Mobil Travel Guide Five-Star awards. For more information on The BROADMOOR please call 800.634.7711 or visit www.broadmoor.com.

For More Information:

The BROADMOOR

Allison Scott, Director of Communications

719.577.5718

ascott@broadmoor.com

"THE SCRIPTURE OF NATURE" 18x22 $3600

“Painting is pondering. As I have practiced painting, I have had so much time to be with my thoughts, to breath in the scenery, to read and study other kindred spirits in the writings and paintings of artists I admire. Each was utterly connected to the views that they depicted. Each also depicted a quality of the life force, an artistic acknowledgement of God as the originator and central point of all life, and that everything in creation could be taken as evidence of the divine order of the universe. This scripture of nature, also profoundly influenced another painter, George Inness, who said that ‘the artist’s calling was to reflect the omnipresence of divine influx in nature.’ A definition of the term influx to which he was speaking is the continual in flowing of God’s divine love and wisdom-of life-from Him through the spiritual world, the world of causes, included that everything and every quality from the natural world first possesses a spiritual soul’.”    –DIX BAINES

Dix Baines’ painting, The Scripture of Nature, has been selected as one of the paintings for the upcoming  Off the Wall Auction, which will be held in conjunction with the 2012 Western Masters Art Show March 14-17th at the Best Western Heritage Inn located in Great Falls, Montana. Learn more about the show by visiting their website at www.westernmastersartshow.com

 

“THE SCRIPTURE OF NATURE” 18×22 OIL $3600

"MORAINE MORNING" 7x9 oil $600

"HALLETT PEAK" 7x9 oil $600

NEWS FROM DIX BAINES STUDIO
Dix Baines will participate in the 2011 Colorado Governor’s Invitational Art Show and Sale, held in Loveland, Colorado. This is a landmark for the show, as it is their 20th year and a landmark for Dix, as it is his 10th year participating.  The show is always a favorite for us, as it is an opportunity to reconnect with collectors and artists friends.  As Dix so often says, the collectors collect his work, but we collect each of them as friends.
To learn more about the show and to purchase tickets for the Gala Opening Reception on Saturday, April 23rd, visit http://www.govenorsartshow.org or call 970.663.0919

"Fish Rising" 24x27 $5200

 

"Black Canyon" 12x6 SOLD

"Summer Pond" 16x24 $3500

"Longs Peak Storm" 8x10 SOLD